不少人感兴趣的创意青年群体微趋势的演讲因故取消,由欧宁的演讲代替
欧宁为年会准备的演讲是“网络工具、文化实践与另类历史”
十多年前,我们这一代的文艺青年只能依赖秘密的纸媒体来发展共同兴趣和维持彼此的友情,如今,网络结社和虚拟交际已经演绎出全新的亚文化。不断更新换代的网络工具不仅提升了文化和社会活动的效率,也瓦解了主流意识形态的神话,为另类历史的书写提供了可能。从一系列的个人实践出发,欧宁将对过去十多年来独立文化与互联网相互交织的脉络进行耙梳,并分享如何把这一切进一步推及社会的经验与心得。
欧宁,生于广东遂溪,一九九三年毕业于深圳大学。作为出版人和平面设计师,他主编设计的《北京新声》(一九九九)不仅定义了首都北京新出现的摇滚音乐文化现象,还尝试了各种令人目眩的视觉实验。他主持的一系列《周末画报》别册(二零零零至二零零六)则刷新了中国媒体出版的观念。欧宁的设计作品曾在香港文化博物馆、鹿特丹荷兰摄影博物馆、曼彻斯特 Urbis 城市中心和伦敦 V&A 博物馆展出。作为策展人,他创办了大声展――每两年在中国一线城市巡回的大型设计艺术展览。他的博客连续三年被 Danwei.org 评为最受欢迎的艺术设计和城市研究类中文博客之一。 他还是独立音乐团体「新群众」以及独立电影团体「缘影会」的创建人。目前欧宁为邵忠文化艺术基金会总监,以北京为常住地,在不同国家和地区之间穿梭工作。
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Online Tools, Cultural Practices & Alternative History by Ou Ning
More than a decade ago, the only available tool for people from Ou Ning’s generation who are interested in ‘artsy’ content to pursuit their interests and to develop (offline) social network is print media such as underground magazines. Today, a new kind of subculture is being defined by online social network and virtual communication. With the version number of online tools keep moving forward, more efficient ways for cultural and social activities are becoming available. More significantly, these tools have deconstructed the myth of mainstream ideology by enabling the possibility of a new kind of historical narrative. In his lecture, Ou Ning will—based on his personal practices—comb through the interwoven history of independent culture and the Internet in the past decade, and to share his experience and insight on how to make these interactions more accessible to the general public.
As an editor and graphic designer, Ou Ning is perhaps best known for his seminal book New Sound of Beijing (1999), which helped define the capital’s emerging rock scene. As a curator, he initiated the Get It Louder exhibition which tours in the major cities of China every two years. He’s also the commissioned curator of the sound art section in China Power Station, an exhibition presented by the Serpentine Gallery at London’s legendary Battersea Power Station and then travelled to Astrup Fearnley Museum of Modern Art, Oslo and MUDAM, Luxembourg. As an artist, Ou is known for his involvement in urban research and his archive and documentation projects such as San Yuan Li (participant of the 50th Biennale di Venezia in2003, acquired by New York MoMA in 2004) and Da Zha Lan, sponsored by the Kulturstiftung des Bundes. He is a frequent contributor of various magazines, books and exhibition catalogues and has lectured around the world. In the late 1990s, he founded U- thèque, an independent film and video society. Later, he launched Alternative Archive, his personal studio as well as a platform for alternative cultural activities. In November, 2008, Ou is appointed the chief curator of the 2009 Shenzhen Biennale of Urbanism and Architecture. He’s currently based in Beijing, China and is the Director of Shao Foundation.

高炼惇先生-为英众娱乐中国运营区的副总裁,英众娱乐为一间跨国网络游戏开发商。高先生正为即将推出的
她将在网志年会上分享青年志最近的一个中国创意青年群体研究中发现的微趋势,比如“像刷牙一样美好”和“像小朋友一样智慧”,以及互联网在潮流趋势形成和传播中的角色。
Gang Lu, co-founder of
Shel Israel和Robert Scoble(悄悄透露一下,Robert Scoble也会出现在年会)一起合著了著名的企业博客畅销书
冯琰

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